The Inscription that Wasn't There:
The Roman Temple at Vienne
and CIL XII.1845
James C. Anderson, Jr. (University of Georgia)
The
surviving temple at Roman Vienna (modern Vienne, near Lyon) presents a puzzle
that is surprisingly common among the Roman monuments of France. The
building itself has weathered the ravages of time and misuse surprisingly
intact; its architecture, though battered and often restored, is not just
readable in the remains, but invites description and analysis. In size
and in plan it is most comparable to the much better known Roman temple at
Nemausus (modern Nîmes) often called the “Maison Carrée,” though the
two buildings are by no means carbon copies of one another. Sadly,
these two temples are also altogether too alike in the lack of a readable
dedicatory inscription that (presumably) appeared in the frieze course of
each. In both cases, what survives appears to be no more than a pattern
of clamp holes that might represent the attachment patterns for the
tynes of bronze letters. A variety of possible texts has been proposed
for each.
The
editors of volume 12 of the Corpus
Inscriptionum Latinarum permitted a hypothetical restored text
to appear in their entry for CIL XII.
3156 (the dedication of the Maison Carrée), and that text remains a focus
of controversy to this day. Faced with the extremely similar situation
on the frieze course of the temple at Vienne, the same editors chose not to
enshrine any one hypothetical text for the sequence of clamp holes that appears
there, and the entry (CIL XII.
1845) contains only a drawing of the temple’s frieze course. The reasons
for this decision will be investigated in this paper, and various possible
texts that have been proposed will be discussed.
Turning
from the lack of clear inscriptional evidence, the paper will then investigate
the temple at Vienne from an architectural perspective. Its plan, dimensions,
architectural decoration, and materials – together with the independent
evidence available to us for the history of Roman Vienna – will be
combined in an attempt to place the temple in the architectural history of,
first, Roman Vienne and, then, Roman Gaul. The surviving architectural
decoration reveals at least two building phases for the surviving building;
historical evidence suggests even more. While such a chronology for
the building cannot yield an absolute date, it does help to establish its
building sequences within the known architectural, topographical and historical
context of the town. Further comparison to and contrast with the architecture
and topography of the temple at Nîmes will help to confirm a possible, even
probable, architectural hisory for the inscription-less temple at Vienne.